For the first time in the Movement Research Performance Journal's history, readers will be able to search through the entire catalog—from Issue #1 (1990) to our latest issue. With the “+ Add to collection” feature, you can add individual articles to your account's personalized collections and export them as PDF readers in their original layout. To get the full benefit of the collection feature, subscribe for access to the entire archive.
See our plansAmelia Groom is an art writer whose work has often been concerned with time; its undercurrents, its blockages and trickling detours, and the possibilities for its re-routing. Her book Beverly Buchanan: Marsh Ruins was published by Afterall, and she has recently written essays on Scheherazade and "oblique parrhesia"; Mariah Carey's refusal to acknowledge time; and the importance of cats in the art and antifascist activism of Claude Cahun and Marcel Moore.
Back in the early 1990s, Annie Sprinkle calculated that the thousands of cocks she had sucked during her decades as a sex worker could make up the height of the...
We aim to foster the evolution of written and graphic languages that address current issues of dance and performance.
Learn more