For the first time in mrpj’s history, readers will be able to search through the entire archive of contributions to the publication dating from Issue #1 (1990) all the way to our latest issue. With the “Add to collection” feature, you can add individual articles to personalized collections from across a variety of Issues, assembling your own readers from mrpj’s entire catalog.
Amelia Groom is an art writer whose work has often been concerned with time; its undercurrents, its blockages and trickling detours, and the possibilities for its re-routing. Her book Beverly Buchanan: Marsh Ruins was published by Afterall, and she has recently written essays on Scheherazade and "oblique parrhesia"; Mariah Carey's refusal to acknowledge time; and the importance of cats in the art and antifascist activism of Claude Cahun and Marcel Moore.
Back in the early 1990s, Annie Sprinkle calculated that the thousands of cocks she had sucked during her decades as a sex worker could make up the height of the...
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