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See our plansTH: And the process excruciating? SM: Yes. TH: How so? SM: Many ways...gosh, not sure how to begin...the basic problem of finding rehearsal spaces that could work for this dance...the...
Ellie Covan (Founder and Exec. Dir. of Dixon Place) : Do you think there are any good reasons to be a choreographer in NYC? Sarah: So many. Dixon Place is...
Whose Board have you on, on and for how many years? First I was on the Artists' Advisory Committee (AAC) of PS 122, probably around 1992. I was on that...
Obviously there is dissatisfaction with the state of dance writing in New York City. While the purpose of this journal isn’t to offer any concrete solution, we believe that the...
Sarah Michelson: How did you become a critic? Deborah Jowitt: I think by accident. A friend o f mine worked at WBAI Pacifica, which was rather different then. He had...
Gia Kourlas: You became a dance critic in 1960. Did you ever study dance? Jack Anderson: Only a few lessons as a child. I hated it. Yet I loved performing....
Gia Kourlas : You moved to New York in 1962 to study the visual arts. Were you a painter? Robert Greskovic : And a graphic artist. I obtained what my...
The very last Performance Journal , #23, was entitled “Now,” and now, everything is different. —Sarah Michelson Performing is always such a thing . I try to sleep enough, eat...
Definitions from the Random House Webster’s College Dictionary, c. 199Z, 1991 by Random House, Inc. now (nou) adv. 1. at the present time or moment. 2. without further delay; immediately:...
Protect what's yours till you’re tired and crying. I have given you my heart motherfucker I think the high heel will save me and so I covet it I am...
RM: And there’s one thing I want to make so clear, I think it’s devastating and dark and sad and distressing that there is no Martha Graham school and there...
From The Editors The secret is that I bought the L'Oreal Turning Point cream for myself. It cost S12.99. I didn't have the cash but I had to have it....
We aim to foster the evolution of written and graphic languages that address current issues of dance and performance.
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