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See our plansMarch 13, 2003 We invited artists, artist managers, presenters, advocates, funders and board members to examine operating structures both in the New York City dance and performance community and in...
“Only dialogue, which requires critical thinking, is also capable of generating critical thinking. Without dialogue there is no communication, and without communication there is no education.” —Pedagogy of the Oppressed,...
I first met Yvonne Rainer in 1987 in her apartment when I auditioned for her for her film "Privilege". The world knows I didn't get the part. This past summer...
In my work as an artist/educator two Brazilians have played profound roles in formulating the context for how I participate in places, and with people, not conventionally linked with the...
The act of "naming" has played a profound role in this country's history in creating a myth of who we are as a nation, a myth of who is "American."...
It is midnight in the town of La Mezcla on the border of Texas and Mexico. The local alternative radio station KXZX is about to air its weekly late night/early...
My first solo performance piece, El Cacique Cholo in the Land of Nepantla/Chief Half-Breed in the Land of In-Between , premiered in 1992 at a festival addressing the quincentenary of...
We aim to foster the evolution of written and graphic languages that address current issues of dance and performance.
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