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See our plansMarch 13, 2003 We invited artists, artist managers, presenters, advocates, funders and board members to examine operating structures both in the New York City dance and performance community and in...
Do existing presenting models in the U.S. pose problems for you? If so, have you imagined different models? What are you trying to do differently that you feel other presenting...
objective To build and manage a Center for Dance and Performance Artists - a nonprofit organization offering extensive residencies and significant fellowships to New York City dance and performance artists....
I am leaving Movement Research in September. I came here with no specific vision. Over the past four and a half years, it has become clear to me that a...
As we begin a new season at Movement Research, we want to update readers on the resolution of our battle with the NEA, which began two years ago with the...
In 1984 or 85, I walked into 8BC for the first time and Ethyl Eichelberger was performing. I don't think I had ever seen a drag queen—or at least, not...
We began to solicit articles for this issue of the Performance Journal in the wake of the Los Angeles riots and the hype surrounding the Earth Summit in Brazil. The...
Movement Research Co- Directors Cathy Edwards and Guy Yarden address the National Endowment for the Arts’ controversial retraction of funding for the Movement Research Performance Journal following Issue #3: Gender...
Movement Research has its roots in the Judson Church movement of the 1960s, which generated new and different kinds of dance. In 1978 the artists who founded MR established it...
This is an encouragement towards collectivization within the performing arts community. It involves redefining the term "alternative" and committing ourselves to be more participatory, more radically democratic and accessible and...
We aim to foster the evolution of written and graphic languages that address current issues of dance and performance.
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