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See our plansPERFORMANCE JOURNAL: Miguel, would you begin by telling us what are the questions and core concerns that started this process as a director? MG: One question was in relation to...
Performance Journal: Where did the idea for Prisma come from? Montserrat Payró: Well, Horacio Lecona has been working for more than 20 years in culture and arts promotion, collaborating with...
(the following does not necessarily reflect the thoughts and views of the other curators, the incredible amount of work that they all did on the festival, or reality in general)....
March 13, 2003 We invited artists, artist managers, presenters, advocates, funders and board members to examine operating structures both in the New York City dance and performance community and in...
What is the role of your Board in shaping or driving the organization's mission? The role of the Board is to help the executive director [currently Laurie Uprichard], who's a...
When I first talked to you about this topic you wanted to be interviewed because you felt a certain resistance to writing down a particular mode for how you work,...
Miguel Gutierrez The perfect dance critic does not exist. The perfect dance critic works for the perfect arts editor, who does not exist. The perfect dance critic writes in the...
1. What are you doing right now? From: miguel gutierrez Tue, 10 Apr 2001 12:37:55 -0700 (PDT) Right now I am trying to comprehend my artist’s mind and endlessly inadequate...
We aim to foster the evolution of written and graphic languages that address current issues of dance and performance.
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